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DTSTAMP:20260610T191343Z
DTSTART;VALUE=DATE:20260611
SUMMARY:Duo Mina Mas: &#8220\;Fissures. A Distillation&#8221\;
DESCRIPTION:&lt\;p&gt\;&lt\;em&gt\;Image: Florian Voggeneder&lt\;/em&gt\;
 &lt\;/p&gt\; &lt\;p&gt\;&nbsp\;&lt\;/p&gt\; &lt\;h5&gt\;&lt\;strong&gt\;
 June 11 | 6:30 PM&lt\;/strong&gt\;&lt\;/h5&gt\; &lt\;h4&gt\;&lt\;a href=
 &quot\;https://www.eventbrite.com/e/duo-mina-mas-risse-eine-verdichtung-
 tickets-1981881966312?aff=oddtdtcreator&quot\;&gt\;&lt\;b&gt\;TICKETS AV
 AILABLE HERE&lt\;/b&gt\;&lt\;/a&gt\;&lt\;/h4&gt\; &lt\;p&gt\;In &lt\;em 
 data-start=&quot\;89&quot\; data-end=&quot\;114&quot\;&gt\;Risse. Eine V
 erdichtung (Fissures. A Distillation)&lt\;/em&gt\;\, the Austrian duo &l
 t\;a href=&quot\;https://www.instagram.com/_mina_mas_/&quot\;&gt\;mina m
 as&lt\;/a&gt\; presents an interdisciplinary song cycle that brings the 
 classical art song into direct dialogue with the realities of the 21st c
 entury. Historical works encounter electronic soundscapes\, improvisatio
 n\, and newly composed material\, creating a dense musical reflection on
  freedom\, overload\, crisis\, and the search for connection in a digita
 l age.&lt\;/p&gt\; &lt\;h4&gt\;&lt\;strong&gt\;About the Concert&lt\;/st
 rong&gt\;&lt\;/h4&gt\; &lt\;p class=&quot\;&quot\; data-start=&quot\;609
 &quot\; data-end=&quot\;952&quot\;&gt\;At the core of &lt\;em data-start
 =&quot\;532&quot\; data-end=&quot\;557&quot\;&gt\;Risse. Eine Verdichtun
 g (Fissures. A Distillation)&lt\;/em&gt\; lies a rethinking of the tradi
 tional &#8220\;Lied&#8221\;. Songs by Fanny Hensel\, Johanna Kinkel\, Ka
 ija Saariaho\, Franz Schubert\, Clara Schumann\, Arnold Schoenberg\, Jea
 n Sibelius\, and Richard Strauss are interwoven with interventions\, arr
 angements\, improvisations\, and original compositions by mina mas. Clas
 sical and contemporary music merge\, are fractured\, and reassembled int
 o a cohesive narrative. Rigid gender roles that historically shaped the 
 art-song repertoire are deliberately questioned and softened. The once-p
 assive lyrical voice breaks free from conventional attributions\, becomi
 ng active\, multifaceted\, and unsettling. Female and male composers sta
 nd side by side on equal footing\, opening new perspectives on a familia
 r genre.&lt\;/p&gt\; &lt\;h4\n\nhttps://acfny.org/event/mina-mas/
URL:https://acfny.org/event/mina-mas/
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